I want to be where your bare foot walks,
because maybe before you step, you’ll look at the ground.
I want that blessing.
Rumi
Jacope Road begins as a clean slice out of the side of the Luanshya highway, then immediately takes a sharp bend to the right. The road winds past the back of the large, white, colonial house where I stayed, then along the edge of the Kafakumba complex. It ambles by the main gates, the woodworking shop, and the banana distribution center on the left, and on the right, a cluster of small houses set back from the road, then a wide field of small orange flowers, like daisies, bobbing in the breeze. Along the way, here and there, small footpaths break off and steal away into the vegetation. The road slopes gently downward for another quarter mile or so, hemmed on either side with tall trees and spilling bushes, before leveling off and unraveling in three different directions. To the right it retreats into bush. To the left, it climbs steadily tow Just where the road begins to slope, one whole section of the left side has sunk about a foot and a half lower than the right side, making driving an interesting business. ards the highway again, past a couple of small farms and several large homes—one with a snarling orange dog—a wooden kiosk selling shirts, cell phone minutes, and a bit of food, and a local club comprised of a small, thatch-roofed shack and a few wooden benches scattered in a dirt yard. And the ray of road that continues dead ahead leads, eventually, to Kafakumba’s chair factory, to a center for the blind, and ultimately to the highway again.
Almost every morning, somewhere between 6 and 8, depending on the rain, I’d go for walks and runs along Jacope Road. If I headed out early enough, I could have a quiet, solitary run, with few other people on the road. Just me, my thoughts, and the dew-sprinkled vegetation, glimmering under early sunlight.
But days begin before sunrise in rural Zambia, and Jacope was the red-dirt vein that pumped traffic, most of it human, through our rural neighborhood. Soon after the sun rose, women began sauntering in from both ends of Jacope, towards the banana distribution center at Kafakumba, to wait in lines. Their hips, wrapped in chitenge cloth—green, yellow, tan, black, orange, blue, stamped with chaotic patterns—swayed as they walked. Most bore loads, often in crates, on their heads and under their arms. They walked and they waited in groups, chattering in Bemba, a language of which I understood little, laughing and complaining, eyeing me as I jogged past, sweating. I usually waved and smiled, and frequently, women would smile back. Sometimes they threw out a Good Mo-ah-ning.
A little later, white or blue trucks, all smudged with dirt, rattled in from the highway. Like all vehicles on Jacope, the trucks either weaved around potholes and ruts or bounced violently into and out of them. They kicked up clouds of dust. Their beds were filled with Kafakumba workers in blue coveralls, men from Beluba and Fisenge villages, and when the drivers hit potholes, the men bounced, too, and gripped the sides of the vehicle. The trucks pulled into the Kafakumba complex and dropped the workers off to begin their day.
Not long after the women, school children in blue uniforms filtered onto the road. Some, usually older girls, ambled together, talking in low tones. Others skipped, tumbled, and bounced down the road, like a pack of puppies, swinging their sacks as they went, hollering to one another and bursting into fits of giggles. Sometimes, when I jogged past the kids, they would cry out. How ah you? Good Mo-ah-ning! How ah you? I’m fine! If I turned and, jogging backwards, called to them mwashibukeni, good morning!, their mouths fell open, they shouted with laughter. If I slowed and stopped, as I eventually began to do when I saw the same children every morning, and shook their hands, and asked how are you, ‘shani? they smiled shly. Bweno.
One morning, I glanced behind me to see a handful of the children break into a run. They were sprinting to catch up with me. I doubled back, chuckling, and joined them. I pressed my hands to their backs and urged them forward. “Come on!” I laughed. “Go, go, go!” I broke away, slightly. “Keep up!” I threw the challenge over my shoulder. The oldest girls did keep up, galloping to match my trot. We barreled down Jacope, and when the road flattened out, we screeched to a stop. All of us put our hands on our knees and huffed. The girls looked up at me and grinned, a thin sheen of sweat glinting on their noses. I put my hand in each of theirs and shook it. “Good work!” I said. Just up the road a ways, the littlest girl, a tiny thing with braids that stuck out from her scalp and flapped wildly as she ran, called out to us as she scrambled to catch up, waving her fist in the air. I was glad to see she was laughing. When she joined the group, her little chest was heaving, but she was smiling, and she, too, grabbed my fingers. One of the older girls took her other hand, and I nudged her and the others down the road. “Go to school,” I said, wishing them a good day. I caught my breath, and when they’d gone a fair distance down that beam of Jacope that winds toward the blind center, I kept jogging.
As rural African roads go, Jacope is actually very sound. At the point where it first peels off the highway, it even makes a heroic effort at pavement for a couple hundred yards. Then it breaks off abruptly into a rutted and rocky dirt affair. It is uneven, to say the least. Lumpy, in some places—at a couple of points, the heavy roots of trees have pushed up through the ground—and deeply crevassed in others. Just where the road begins to slope down, one whole section of the left side has sunk about a foot and a half lower than the right side. Jacope, like so many other roads, is scrubbed down and carved out by heavy rains, at one time of the year, leaving it wrinkled and dry and splitting, like old skin, at another. It makes driving an interesting business, especially during rainy season, when little rivers rush down the seams in the ground, making red mud out of red dirt, and the waters converge and swell in a small pond at the base of the road, rendering Jacope pretty nearly impassable for anyone without four-wheel drive. Or able feet.
I admired the feet of a blind man on Jacope. I routinely passed him on my jogs, marching from the center for the blind, I assumed, to some unknown destination, and later in the day, he marched back. He was skinny and fragile, but dapper, with thin patches of silver peppered over his scalp. He wore tan slacks and a gray tweed jacket, and the hems of each stopped a couple inches short of covering his bony ankles and wrists. He carried no cane, just swung his arms. He wore sandals that slapped softly against his heels as he marched.
Each time I passed him, I would greet him, breathing hard. “Mwashibukeni, mukwayi.” I always hoped my thudding footfall and labored greeting didn’t startle him. He never showed it. He would turn and raise his hand as I passed him. “Eya mukwayi.” And then he continued on his way.
I had been trying to learn Jacope Road by foot over many mornings since I first arrived in dripping wet Zambia towards the end of rainy season. I learned by falling, in fact; on several different occasions, I caught the toe of my sneaker on a root or lost my balance on the slippery edge of a rut. I hit the dirt face first, rolling and bouncing, like the proverbial apple off the cart, and came up bruised and stinging and smeared with red mud, shame-faced. I’ve been a flatlander all my life, born and raised in Indiana, where relatively smooth country roads stretch for miles between cornfields, from solitude to solitude, where a young runner like myself doesn’t have to pay much, if any, attention and can lose herself in the rhythm of her feet pounding pavement. There on Jacope Road, I was learning to pay attention, to keep my feet up, to look at the landscape in front of me as well. Eventually, to raise my eyes from my own two feet to faces, to pay attention to people too. To smile and wave without stumbling. Generally.
I wondered how, in a rainy season such as this, where the wrinkles on the road are never exactly the same from day to day, a man without eyes to see or a cane to feel could learn his two-mile landscape by foot alone, and could walk with his brisk confidence, like he owned the land. Like his feet knew where to go, and the rest of him followed them forward.
The first and only time we touched, it was afternoon. He was headed back in the direction of the blind center, and I was on the last leg of a late run. Under the hot afternoon sunshine, the road was drier and firmer, but still muddy after heavy morning rains. The water had rushed down the slope of Jacope and pooled at the bottom of the road, as usual, swelling to cover it almost entirely. Every time I had to pass the small pond, I picked my way around its muddy edges and kept going, half expecting some exotic amphibian to suddenly leap out of the depths, snapping at my ankles, fearing I would slip in the mud and tumble face-first—of course—into the muck. As I turned back onto Jacope and prepared to face the mess again, I saw the blind man a hundred yards away and drawing nearer, his arms swinging, sandals slapping. I hopped around the pond, from one patch of firmish mud to the next, looking for shortcuts, even if they required greater leaps. I bounded onto solid ground on the other side and began jogging again. I slowed my steps as I approached him. “Mwashibukeni, mukwayi,” I huffed, and the man half-turned, and he put his crinkled hand lightly upon his tweed jacket, over his heart. “Eya mukwayi,” he said in my direction, beaming toward me. I smiled back.
I jogged a few more paces before I stopped and turned to watch him march toward the pond. I knew he knew it was there. He’d obviously navigated it every day, part of the landscape of rainy season. He would have navigated it that morning.
“Excuse me!” I called, trotting after him. He turned at the sound of my voice. “May I help you across?” I had no idea how much English he spoke, and there was nothing my gestures, my face, or my eyes could do for me here. But he surprised me; he nodded. “Yes, yes.”
I took his right hand and I led him awkwardly, inching ahead, sometimes backwards and sometimes sideways, glancing at the ground beneath his feet and mine. Assuming he could understand at least some of what I said, I tried to guide his feet towards the bits of high ground that weren’t too much of a stretch. “Just a small step here. To the right.” We weaved together through the yards of gray-brown sludge, and when he wobbled a couple of times, I put my hand on his shoulder to steady him. When we finally stepped onto dry ground on the far side of the pond, his sandals, like my running shoes, were caked in mud, but he had stayed dry.
Then, as now, I was fairly certain he didn’t need my guiding hand. Even as I led him, I was both reasonably and self-consciously sure that his intelligent, able old feet could have navigated the whole of his small corner of the world unassisted.
He put his hand over his heart once more. “Natotela, mukwai,” he said with a grin, and he clapped his palms together gently. I clasped my hands together too, a sign of respect. “Eya mukwayi,” I said, smiling, “Have a good evening, sir.”
The thing I am grateful for, as I was grateful then, watching him march away from me, sandals slapping, arms swinging, was that he let me take his hand and try.




